![]() Which brings us to the obvious question: Is this an elaborate spoof orchestrated by the artist himself, hiding under layers of irony? (See Dismaland and also Exit Through the Gift Shop, Banksy’s famously confounding metafilm about the art world and street art’s corruption.) Did he create an exhibit full of faux Banksys to take aim at the endless Banksy- light exhibits? That could be, if the show didn’t feel so lifeless. In fact, he has often poked fun at the frenzied art market full of profiteers. Though Banksy has undoubtedly made money off of his work, profit is not his motive. ( “I don’t charge people to see my art unless there’s a fairground wheel,” Banksy has said.) But a $30 entry fee is not really democratic. ![]() They might be crap so please don’t come to us for a refund.Įxhibit founder Kemal Gürkaynak says the point is to democratize Banksy’s art for a wider audience by making it available to people who “may never get to see Banksy’s art in person,” as he wrote in an emailed statement.ĭemocratizing art is a good thing - and theoretically in the spirit of the artist himself, who has long railed against the art establishment and its institutions. Banksy has NOTHING to do with any of the current or recent exhibitions and they are nothing like a genuine Banksy show. I see a new exhibition of Banksy work has just opened, is it authorised? In fact, so many have popped up that the artist - who once "provided high-resolution versions of his work on his website and invited the public to download them and produce their own items," as a trademark ruling points out - now has a section on his website dedicated to these shows, under the banner “PRODUCT RECALL - ART OF BANKSY.” On the website of Pest Control, Banksy’s official authentication service and PR firm, a Q&A declares: Still, these exhibits have gotten under Banksy’s thick skin. Like this show, these exhibits proudly proclaim to be “UNAUTHORIZED.” It’s true - Banksy had nothing to do with these shows, nor did he give his blessing - but the wording makes these pop-ups sound more subversive than they are. ![]() The Art of Banksy: Without Limits, is among a spate of Banksy shows that have popped up across the world in recent years, including The Art of Banksy (produced by the company behind Immersive Van Gogh and not to be confused with this exhibit), Banksy: Genius or Vandal and Banksyland. I’m not alone: During the show’s Seoul run, some displeased visitors asked for a refund after learning that the majority of the works were reproductions. Suspecting this might be the case, I trained my eyes on Banksy’s varied signatures and the wall texts (unclear at best, misleading at worst), but I couldn’t always tell the real Banksy from the copies. But only 33 of the more than hundred works on view are originals - the rest are printouts or stenciled re-creations of his work on walls, paper and canvas. A monkey on a detonator.Īnd the luggage-screening scanners and security cameras at the entrance? All made out of cardboard (a copy of an installation at Banksy’s famous immersive artwork, the depressing amusement park Dismaland).Īfter walking through the cardboard TSA scene, here minus the actors hired to be rude, I saw all of Banksy’s greatest hits, from the flower-throwing anarchist to the Pulp Fiction guys with bananas for guns. Only upon a second visit did I confirm it wasn’t part of the installation.) Throughout the space, visitors encounter reproductions of Banksy’s street art pieces that exist in the wild. (During my first visit, a day before the show opened, a broom leaned against the wall. The “brick walls,” featuring a version of Banksy’s graffiti of a woman line-drying a zebra’s stripes, are not real. In The Art of Banksy, things are often not as they seem. In an ironic reversal of Banksy’s original ironic statement, this is not graffiti. In this built-for-the-occasion white-walled space, the team has emulated Banksy’s original 2011 mural but, here, the trademark running paint is a deliberate touch rather than a byproduct of quick stealth. cities, including Miami and Atlanta, as well as Europe and Asia. The exhibit comes to Seattle after stints in U.S. 4, Wed-Sun, 10 a.m.-7 p.m., $29.20), which opened July 1 on the first floor of Seattle’s recently revamped Fed branch building. The Seattle painting was made by a team of artists enlisted by Guillermo Quintana, curator of the exhibit The Art Of Banksy: Without Limits (through Sept. This wall is a pristine, indoor drywall structure near a ticket counter - not the peeling central London building where Banksy spray-painted the message in 2011. Like graffiti artists, rats are nocturnal creatures who scurry through grimy alleys and hide behind trash cans to elude capture.īut ceci n’est pas un Banksy. This rat is the emblem of the iconic and elusive British street artist Banksy, who for years has used the critters in his work as a sort of signature.
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